I. A Sunrise Buzz…………….………….……....Bekah Steimel
II. Time …..…...…........................……..Michael McAndrew
III. Conversation ...………………….…………….....Bekah Steimel
IV. Popcorn….………...………..................…….Glen Armstrong
V. Grit …………………..……….................…….....Moylin Yuan
VI. A Melancholy Breeze...........................Emily Kamminga
VII. Moor…………...…………......................…..…Kirsty A. Niven
VIII. T.I.E....……………………...………….......….......Braxton Kocher
IX. Decolonization…...................................…….Moylin Yuan
X. From Meconium Aspirations:
A Play In Ten Breaths.....................Mark Blickley
XI. Drunktown …………..................…….…….…..Jesse Maloney
XII. Entropy….....................................................…...Lana Bella
XIII. On TV, the Reporter Says:........................Siobhan Gleason
XIV. She blinks…………………………....…...….…….Braxton Kocher
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Cover Art. Glitter Ritual……………………………Christine Stoddard
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I
A sunrise buzz
because
I might die by the clock
but I will not live by it.
II
Time doesn’t count
It happens all at once
In grains of sand
Or even drops of water
An ocean wave
Or volcanic eruption
On watch staring at the sea
Wanting to go smoke and forget
A different watch, staring into darkness
Waiting to see if any of the kids on the unit wake up with a bad dream
Sitting at a bar in Malaysia
Talking about nothing in particular
It’s snowing and the kids need to go to school
I’m arguing with an 11 year old about why she can’t wear flip flops today
I’m stamping my new rank
On a green flight deck jersey
I’m labeling the kids clothes when I get into work
I don’t want them to argue about what belongs to who in the morning
Whole milk in plastic tumblers with cartoon characters
Whole Red Bull’s from Thailand, uncarbonated and warm
Tiger Beer mixed with Irish Car Bombs
Mixing Miralax into orange juice
Men and women who can’t speak about what they know
Kids who haven’t mastered how not to
“I heard you were in the army, is that true?”
I was in the navy
“My grandpa was in the navy, that’s how he got all his teeth knocked out.”
Yeah, that can happen
“Is it true you have to make your bed all the time in the navy?”
Just every morning
“That’s all the time.”
Uh-huh
“What war were you in?”
This one
“There’s a war going on now?”
Yep
“Will you eat breakfast at the table next to me?”
Yes
“Is the breakfast in the navy good?”
Not really. Well, the biscuits and gravy were good
“We have that here.”
I know. It’s better here
III
Conversation
with you
feels like
tires
spinning in the mud
nothing lost
nothing gained
IV
It remains in its bag
In the microwave
I got called away
Suddenly
It’s as if it never existed
Orange eyeshadow and lipstick
Tends to make white folk
Look out of place
Like carneys at the Laundromat
I’m afraid
We’ve given them legitimate
Reasons to fear us
We get called away suddenly
From the home and snacks
That we’ve never really appreciated
We look down on people who pop
Corn for a living
It’s too stale to eat
So I leave it for the birds
And think bad thoughts.
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V
Grit
washing down igneous rock
Spattered in bird waste
All speckled and sun coloured
Remember the climbs and twisted ankles
your fingers onto fissures, crags stacked with oysters, their tongues
Waiting for the tides
We ran after the shells
hiding under waves
the new elders soaking toes under
foaming sands
when being, vanishing, was a phasing Sexuality
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VI
A melancholy breeze between monochrome skies.
A sky that is easy to forget from its lack of dimension.
One that doesn’t demand your attention.
One that simply exists.
VII
The wind howls at the door,
begging to be let in,
turbulent and terrible.
It huffs and it puffs, desperate,
scraping at the bricks,
throwing twigs at the window.
The trees bow under its pressure.
A Brontë aura of gloom
as it encircles the house,
cowed under its enormous thumb.
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VIII
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The plane shakes
Like a cold boy on a late summer evening
Lost among the oaks + the evergreens
Wandering down old dusty paths.
Mother said to be home hours ago but the hummingbirds and the dandelions tell the best stories and the darkness is only scary if you believe
it exists.
Turbulence in excelsis.
Amen.
IX
Softly we un-borrow the ivory shells,
learn to lean towards ourselves
Identity shifting in sand
Now it’s daily weather, with dunes
drifting at different levels
Every morning if the sun burns my skin
Would you call my name?
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X
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I think I’ve born into the past
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but I’m not sure whose past
and that makes me kind of nervous.
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XI
A Navajo waddles on 160 at 7pm and
is struck on the Navajo side
by a truck
trajectory sends him soaring
lands on the Hopi side at 6pm
the same day.
The police report reads
TIME OF ACCIDENT: 7pm, Aug. 14 2017
TIME OF DEATH: 6pm, AUG. 14 2017
Tuba City’s not a drunktown
It just has bad bookkeeping.
XII
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only in silence
do we give audience
to the roughhouse
that shifts our breaths
and bones
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XIII
On TV, the Reporter Says:
“Police officers found a man’s body in the river.” The TV shows the riverbed, the grass, and the water lipping at the muddy edge. The reporter doesn’t say: “Officers found a man in the river.”
He was floating when he was found, but not like a swimmer floats, closed eyes facing the endless sky. River droplets coursed off his limp shoulders, a gushing, a wet smack against slow-moving water. He didn’t roll his shoulders to brush them away. His shoulders drooped. His arms flopped downward.
The reporter says “body” before he says his name. His name is the afterthought – the word for those that knew him before he was just a body. The word for the rest of us says, We know what is missing now. It means what is no longer – what will never be again. And when the name is unknown, we just hear “body.” The body of a woman, a man, a child – a collection of limbs.
The body’s right eye is open, but we know that it no longer sees. We close it out of respect. We close it so that he doesn’t look like he is looking at us, even though we know he is not. The body has ways of seeming like it is still alive. We regulate those moments, drawing the line, enforcing the boundaries. We remind ourselves even when we speak about him. Past tense, we think. Past tense for what he was. Present tense for what is left behind.
According to physician Duncan MacDougal, the soul weighs 21 grams. 21 grams of half-smiles at strangers, jokes shared in secret, knowing glances, handshakes with just the right grip. The man who is now a body cared about applying the perfect pressure for handshakes – his friends remember that about him. He didn’t believe in the soul. He believed we only exist once. We only get one chance, and then it’s over.
His family hopes that isn’t true. They think about what to do with what is left behind. He can’t be cremated, because his soul needs to rejoin his body. A soul can’t do anything with a pile of ashes. It needs working limbs. A swollen foot and water-filled lungs can be repaired, but not the dust – not the light gray ash. There is a limit to the miracles that can be performed. They bury only what they can hold.
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XIV
She blinks.
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It's all over now.
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